Rig your sheet. Open your archive.
One sheet, folded like a book. Cover: your name, "Day 17," the date. Then:
And get your folder out. Every sheet you filed since July 6 is in it. Today that folder gets a new name: your archive. Historians would call it that. Treat it like one.
Walk In as Your Person
Thursday you stood up and claimed a person. Today they walk in with you.
Ten seconds, eyes closed. Open them as your person. It is 2026. You are in a classroom in Salem. These kids have spent five weeks on your story.
- What would your person notice first about this room?
- What would they think of us, telling their story 309 years later?
- What would they beg us to get right?
The Hunt: Four That Matter
Five weeks of story. Your person lived one corner of it. Walk the whole deck one last time and see it with their eyes.
Four places. You know them all.
Artifacts tab → Timeline → People →Choose 4 artifacts or moments that matter most to your person. Not to you. To them. For each pick, one sentence on why, in their voice, on THE FOUR page.
- Visit all four places. Your picks can come from anywhere.
- Not all four picks from one place.
- At least one pick from your own folder. Your work is part of the record now.
A why that works: "The bell. It rang every watch I ever stood." A why that does not: "The bell is cool."
Finished early? Add a fifth pick. Or borrow another set of eyes entirely: play Whydah’s Voyage and make one choice the way Bellamy would.
The Circle: Whose Stories?
Week 4 asked the hardest question of this unit. Whose stories get mapped? Whose get buried? Today we answer it about our own five weeks. Out loud. Together.
Whose stories did we hear? Whose stayed buried?
No points for this one. No race. This is a Day 5 kind of moment. Think back to it: 367 people on our ship's 1716 voyage, and the ledger kept a number, not one name. Some people in our story never got a turn to speak. The least we can do is take turns.
1. We heard a lot from ___ because ___.
2. We almost never heard from ___ because ___.
3. My person is one of the heard, or one of the buried, because ___.
4. One buried story my project can dig back up is ___.
Their Voice Circle
You walked all day as your person. Now the talking piece goes around: one line, first person, in their voice. "I saw..." "I chose..." "I want you to know..." Two days from now, strangers hear this. The ring hears it first.
Pass counts. Silence counts.
One More Look
Looking back as your person: what did you notice this time that you missed the first time?
One sentence, bottom of THE FOUR page. That sentence is synthesis. It is the whole point of today.
The Last Captain's Log
Your adopted ship has carried your log since July 13. Tonight the log closes.
On Day 4 a cipher told you: every ship on every sea is on your map. Prove it one last time.
Open the live harbor view → Or the whole Atlantic →- Find your ship. Where is she tonight? Nearest port or sea. Heading, if the map shows it.
- Gone dark? It happens. Ships go quiet in port. Write her last known position and say so, like an honest keeper of a log.
- Write the farewell. Two or three sentences in the captain's voice. Final position. One word of thanks to the sailor who kept this log. A goodbye.
Chart Your Course: The Build Plan
The lists are done narrowing. You chose your person. You chose your format. Now the course becomes a build plan. Three lines:
- My first 20 minutes tomorrow: what do I make first?
- Materials I need on my table: say it today. We can print tonight.
- The 3 or 4 journal pages my project will cite: you named them at your pitch. Today's hunt may have changed the list. Update it.
Showcase is Thursday, August 6. Three days out. The plan is the treasure now.
synthesis = pulling many pieces into one new whole · perspective = the place a story is seen from · archive = the records that survive · buried story = a story the records left out